In my dream society….

In my dream society, all members have a voice. Everyone has a space to share their opinions, thoughts and feelings. Freedom of speech is the essence of the place I’d like to inhabit. In most ways, this is in place in the world I inhabit. However, the difference between my dream world and reality is that everyone has the ability to understand the power of their voice. Not just in the content, but in the vocal mechanism itself.

Through teaching for the last ten years, it has become apparent to me, that most people think that individuals are gifted with a beautiful speaking voice. A voice that eases into their listener’s ears and transports us with their stories, awakens us with their ideas and moves us with their view. Maybe some people are lucky to have been born with this skill. However I believe that everyone can unleash this marvellous power and use their voice to their full potential, if they are shown how.

In my dream society this is something we would teach to children as part of mainstream schooling, so as adults they contribute to society confidently and freely. In the world we inhabit, children may access this through extra curricular activities. Those who practice the creative and expressive arts are more likely to have confidence in their voice.

As adults in the society we live in, we can feel the divide between those who have accessed this and those who have not. However we perceive it as raw, unlearnable talent. This is it not the case, a clear, confident, authentic voice is available to us all, if we choose to engage with training that explores and deepens our understanding.

In learning these things, we free our voice. In freeing our voice, we share our ideas. In sharing our ideas, we evolve and grow our communities.

My dream society isn’t as unattainable as perhaps it first seems. Maybe yours isn’t either.

Once upon a time lasts forever

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I stumbled across the above quote, and it resonates incredibly powerfully. Early on this summer I completed a course called The Performer’s Playground with ClownLab. It was a 12 week exploration of playfulness. We had a lot of conversation about finding the joy or the fun in something and enjoying being beautiful even if we were playing something ugly. How do we create fun or channel playfulness?

On reflection, I think the things that inhibit me are the parameters that I  have either set myself or the the ones that I have allowed others to set for me – ‘the table of do’s and don’ts‘ as Pullman calls it. There are a list of things I can do and a list of things I can’t do. I wrote a while back about Growth Mindset, the idea that through a shift in personal attitude can alter our potential. How do we know that our personal attitude needs to shift? How do we believe that our potential is unlimited?

Neil Gaiman wrote in Coraline “Fairy tales are more then true; Not because they tell us the Dragons exist, but because they tell us that Dragons can be beaten”.

 

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illustrations by F. D. Bedford  J.M. Barrie’s Peter & Wendy

Stories allow us to see that we can do, or be anything. Some of our favourite characters in our most loved tales and stories have the hardest start; they are orphans. Harry Potter to Cinderella; Superman to Peter Pan; Mowgli to Sophie in the BFG. Their world has been disrupted in a way that no one would want for a child.  Yet, these characters go on amazing adventures, and overcome huge obstacles and show a resourcefulness and resilience to find their way through. Peter Pan has no ‘list of right or wrongs’ just a love of play and make believe. His game playing allows him survive and outwit his enemies.

 

The art of oral storytelling transcends age, ethnicity, education, borders and gender whilst also recording and reflecting our difference in those things. This kind of storytelling is a shared act between teller and listener. Jane B. Wilson tells us in her book The Story Experience, “Those who tell tales are both speakers and listeners. They have heard and remember”.

We are all storytellers and we are all listeners, if we allow ourselves the possibility to listen. We can all believe that we can do more, be more then we think we are. If we see others have defeated the bad guys, maybe we can too.

“The listener is caught and whirled into a talk, living for a single moment in the good, the great, the naughty, the lost. The tellers voice awakes dreams and spins stuff for thought; incites to contemplation.”

The Story Experience, Jane B. Wilson

 

 

 

Little Red Riding Hood – Wolf Mask

I have been working with Z-Arts and Crumpsall Lane Primary School in Manchester, creating story telling pieces for the schools reception class. Its been really wonderful and tomorrow we go into our third week of the project based on the collections of Brother’s Grimm, and this week we are looking at Little Red Riding Hood or as Bro

Little Red Riding Hood

Little Red by Felicity Goodman 

ther’s Grimm called Little Red Cap.

This story has been re told and re told and re told, and I have a strong suspicion that the children will be very familiar with it. I think that each week they have bought there own colour and magic to the stories we have looked at (Musicians of Bremen and Hansel and Gretel.) That is why working with these traditional stories is such a gift because they can be re told in so many different ways. As a story teller, I love the immediacy of the retelling. The audience being very active in shaping how the story looks and feels.  These stories are so beautifully simple but it is quite easy to overlook them.

I also provide lesson plans in arts crafts for further exploration of these stories in the class in the week that follows. I’d thought I’d pass on one of the craft exercises in this weeks lesson plan. You can never have too many resources available!

 

Wolf Mask

Wolf Mask Template

Template for Wolf Mask

First things first, copy the above template for each of the components in the mask and cut them out. I made the mistake of putting it all together before I coloured it in, which made it much harder to build, the above image is on an A4 piece of paper. You could print it directly onto card if you’d prefer. An extra task for the children , could be to draw around pre cut provided templates and see if they could get them to fit it onto a sheet of A4 card.

The decorating is worth spending time on as the masks look so much better as a result. I kept my decoration very simple and only used felt tip, but I think the mask would come alive even further with some fake fur or felt or if the teeth were very shiny….

Stick the front and the back thin pieces together. I used masking tape to stick the pieces together, that way I can adjust easily to the circumference of head that is resting on. I then
took the nose piece and folded along each of the dotted lines.

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I attached part one, by folding over the top of the front piece of headband in the middle of the ears and secured with tape.

I then attached the mouth piece behind section 2 of the nose and then the tongue behind the mouth.

Nice and straight forward. Now you can howl at the moon and be big, bad and scary!

Be sure to Tweet or Instagram the results!

 

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Other yoghurts are available, but this one is SUBLIME!

Book List for Big Kids – Non Fiction

I love books. They are unbelievably comforting and adorn my house in little piles. I find them incredibly hard to part with. The wisdom and escapism that books contain is a beautiful thing. I love reading lists of books too. Which ones have I read? Which ones have I yet to read? What should I read next?

I thought I’d share some books that I found really useful and enjoyable to read.

Presence by Patsy Rodenberg

This book is like three years of actor training whittled down into book form and made accessible for non performers. Its a brilliant insight in how to be in the moment more and is full of practical exercises to ‘perform’ at your best in an incredibly sincere and authentic way.

Finding your Element – Ken Robinson

Robinson is an educational guru ad talks about how we all have something where we are in are element. Using stories of how different people discovered their element, Robinson shows how we can have our eureka moment ourselves

Games for Actors and Non-Actors – Augustus Boal

This is like an arsenal of different warms ups and games to try out that liberate all, performer or not. In three sections, Boal outlines his method of Theatre of the Opressed, provides a wealth of different exercises and discusses problems that can arise in Forum theatre. This book should in every drama practitioners library. Anyone looking for group cohesion and release of expression could benefit from giving this book a read.

Finding your Voice – Barbara Houseman

This practical and easy to use book talks about the mechanics that go into speaking and the how you can galvanise your body to have a strong, rich and healthy voice. This book provides the foundation for a lot of the exercises that I now include in my Voice practice

Show your Work – Austin Kleon

Austin Kleon is an artist that works with words. His book Steal Like an Artist is also an excellent read. Show Your Work, talks about how to network effectively and efficiently in the 21st century. He describes it as networking for people who don’t really like networking. This book really made me think about how to develop a good web presence and how to share my process with an online community.

Wreck this Journal -Keri Smith

Smith should probably be proclaimed at Art wizard for the wonderful journalling books that she has created. They are a brilliant series but I love Wreck This Journal the most as it reminds us not to be to precious about what we create and that failure yields unexpected results.

Shakespeare Words: A glossary and language companion – Ben and David Crystal

This book will be tucked under my arm and is very well thumbed when I’m working on any of the bards works. Its a brilliant dictionary of language from when you can’t tell you greek god reference from your elbow.

 

The Playful Parent – Julia Deering

 This behemoth of of a book is a plethora of ideas in playing with you kids. From Shampooing solutions to ideas for indoor play. Its a very practical tool kit and I think if parenting was to come with a manual, then this is the one I’d pick.

 

What Non-Fiction books would you put on your list? What should I read next?

 

Felicity Goodman is a Voice Teacher, Playologist and Story Teller based in Manchester. To find out more about her work, please visit www.felicitygoodman.co.uk

 

 

 

Girls -The Process

When I did P.E. in school it was a requirement that we all had to shower post exercise. I’m pretty sure that we were not the only group of school girls who had to do this. We were fortunate as we had individual cubicles in which to shower in with curtains for a privacy which is more then our male counterparts had! The deal was this:
If you were on your period you were excused from showering. A little ‘P’ was marked next to your name in the register. This is odd looking back, like our periods made us all witches where we would burn if water was thrown on us. Like our periods made us unwashable or informed in some way. (This belongs in a different blog I think.)
The Wizard Of Oz
If you were not on your period, you got down to your knickers and bra, pulled your bra straps off your shoulders and wrapped your towel around you. You would then walk into the shower. Splash some water on your upper body, walk out and then be ticked off as washing. We all did this. Without exception. We weren’t challenged to shower properly, even though it must have been really obvious to the female staff that checked us off. After we showered we dosed ourselves with Charlie Red or Impulse.
This was 15 plus years ago, before the internet had really made its mark on us all and certainly before the days of social media. Even then, we were ashamed of our bodies not wanting to reveal them to each other for fear of being found lacking.
Last week I shared this video in response to the Children’s society’s report that revealed that 1 in 3 girls aged between 10 and 14 felt worthless based on their appearance.

It triggered an anger in me that compelled me to write and deliver that piece within a day. How, for all the vast leaps that we have achieved in our culture, are we still sending a message to young girls that how they look is the defining thing about them.

I wanted to place images in the video that were linked to the words being spoken. I decided to type words into google images to use the results. Here are some of the things I discovered….

If you type in Girls you get this page….

girls-google-search

When you type lips:

lips

And so on…

eyes

Typing eyes

And so on…

hair
Typing Hair

And so on….

legs
Typing Legs
Sobering stuff. None of these images are less then what we would class as perfect. These legs are long, smooth, tanned and exact. They don’t represent that majority of the world’s legs, they represent a very particular group of women’s legs. The eyes have all got make up on, as natural as they are being made to look. The lips are also perfectly shaped, have lipstick on them and are mostly fairly seductive. The hair is all thick and voluminous. Its shiny and smooth. I have never seen hair like this on a real person in the flesh in front of me. What’s more concerning is that I didn’t add the prefix of ‘girl’s’ to legs, hair, eyes and lips. Yet all the images that came up are of young women. While I can’t gurantee the ethnicity of all of these models, I think it is fair to say they are predominantly white women.
It is images that are being broadcasted all the time to our young women and girls. When you look at these images they mostly seem like incredibly striking women and its easy to see why we would all like to look like them.
We need to make moves to fight these images and getting these girls more body positive. Schools and communities need to be taking responsibilities and tackling this issue head on. The message being sent out is that if their bodies fit into a certain criteria then they are more desirable. Girls are seeing this and hearing this. Along with the ‘perfect’ bodies that are being projected at them, no wonder their self esteem is worryingly low. Malala Yousafzai puts it well “I raise up my voice—not so I can shout, but so that those without a voice can be heard…we cannot succeed when half of us are held back.”
We, as a society, are holding girls back by placing their value in how they look over what they can achieve.
So what can we do?
1. Compliment a girls character, not her appearance. What’s she good at? what’s she overcome recently? What has she been working on? What does she like to read? Take her to things. spend time learning about what she would like to do.
2. Get writing to you M.P asking for it to be compulsory to teach sex education, mental health and body image in every single school. www.writetothem.com is a great inline tool for finding your local MP and writing to them.
3. Limit time on the internet. I spoke to a teacher recently who said that the girls she taught were looking very tired. when she spoke to their parents, they would say ‘She’s up all night on her phone’. Make some rules about where and when to use the phone. Maybe the whole family can implement a system of putting all their phones on charge in the kitchen for the night? Not having devices out at the dinner table? Is your daughter old enough to be using social media? Facebook, Twitter, Snapchat, Youtube and Instagram say users need to be over 13.  The problem is its pretty impossible for these companies to enforce these rules, and for a parent. We must understand however that when we arm our daughters with a phone or device we are giving them access to a world of information that we might not feel comfortable looking at.
4.Call people out for making jokes or insulting comments at the expense of someone’s appearance. We’ve all heard these off the cuff remarks about the way someone looks and felt the feeling that we should just laugh it off. However we are sending a message out that this behaviour is appropriate at best and at worst, funny.
Felicity Goodman is a Voice Teacher, Writer and Theatre maker based in Manchester. Please contact her if you interested in Vocal Training or collaborating. To learn more about the work she does, please visit www.felicitygoodman.co.uk